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Fri Jan 23 | all ages
Black Clouds
The Effects | Wanted Man
SHOW
9:00 pm
DOORS
8:00 pm
$12 | Advance
$12 | Day of show

Black Clouds 11PM
The Effects 10PM
Wanted Man 9PM

Collect Records, the independent label founded by Geoff Rickly (Thursday/No Devotion/United Nations), and Washington DC’s Black Clouds are proud to announce the band’s forthcoming full-length album titled Dreamcation. Produced by the acclaimed J. Robbins and mixed & mastered by Chris Common (Isis, Mars Volta, Pelican), Dreamcation is the stunning and cinematic follow-up to the post-rock and metal experimentalists’ debut showcase, Everything Is Not Going To Be OK, and will be released on Tuesday, November 4.

Having recently completed a US tour with United Nations and Frameworks, Black Clouds will be making an appearance at Glasslands in Brookyn, NY on Tuesday, October 28 with labelmates No Devotion, Ricky Eat Acid and Creepoid. Additionally, the band will be performing a hometown record release show at the Black Cat in Washington DC on Friday, November 21. Preorder for Dreamcation and information on tickets for the upcoming shows can be found on Collect Records’ official homepage, http://www.collectrecords.org.

The final minutes of Black Clouds’ debut album did not have a happy ending: In a spoken word coda, Clutch’s Neil Fallon repeatedly informs the listener that “everything is not going to be OK,” and despite the fact this had already been well communicated by the album itself, this was the first time that language had been used to articulate its quasi-nihilism. For this Washington DC-based trio, it was a rare but vivid show-me-and-tell-me moment.

Which is to say that Dreamcation, Black Clouds’ sophomore effort and Collect Records debut, is a significantly different kind of record. That sense of doom, once mined for its power, is more effectively harnessed for a nuanced energy— the darkness curbed just enough to let the light in—and the result is alternately aggressive and ambient, often in the same song, and sometimes in the same part: “Carcosa,” for one, takes equal cues from funeral and ascension, and “Some Of Us Are Meant To Disappear” somehow pummels you into a warm hug. A smart and measured progression, Black Clouds finds itself at their most introspective on Dreamcation, and if this album’s finalé eschews language altogether for a wash of subtle chords and a blissfully ecstatic drone, it’s only because—perhaps—everything is going to be OK after all.

The Effects
Wanted Man