TICKETS ON-SALE FRIDAY FEBRUARY 16TH @ 10AM
Miles off the radar of popular music during the early ‘80s, Trouble Funk energized their D.C. home with the sound of go-go music, an uproarious blend of swinging, up-tempo ‘70s funk and a ‘60s style horn section. The band formed in 1978, and the lineup coalesced around drummer Emmet Nixon, percussionists Mack Carey and Timothius Davis, guitarist Chester Davis, bassist Tony Fisher, trombone players Gerald and Robert Reed, trumpeter Taylor Reed, keyboard player James Avery, and saxophonist David Rudd. Trouble Funk earned a loyal fan base for their notoriously can’t-miss live act, a raw, party friendly version of dance and funk with few songs but plenty of extensive jams organized around audience-friendly vocal tags and call-out hooks. The first go-go record released outside of D.C., Trouble Funk’s 1982 debut “Drop the Bomb” appeared on Sugar Hill, the same label then championing early hip-hop. (The two styles had very similar origins, in the break beat culture of urban block parties.) Also in 1982 they released a single “So Early In The Moring” on D.E.T.T. Records, later reissued on diverse labels as 2.13.61 & Tuff City.
Trouble Funk sometimes shared the stage with hardcore punk bands of the day such as Minor Threat and the Big Boys. This decision was made by promoters. Unsurprisingly, go-go heads didn’t shave down to Mohawks and thus ended the failed marriage of the two scenes. Though the band’s second album, “In Times of Trouble”, appeared only on the local label D.E.T.T., Trouble Funk earned national distribution with a prescient concert record, “1985’s Saturday Night (Live from Washington, D.C.)”, released through Island. After taking the live act nationwide and even worldwide (they played the 1986 Montreux Jazz Festival), Trouble Funk returned in 1987 with the boundary breaking “Trouble Over Here, Trouble Over There”, featuring sympathetic heads like Bootsy Collins and Kurtis Blow. It was a bit of a stylistic misstep, however, Island released the group from its contract. Their song “Pump Me Up” has been sampled by many other artists and is featured in Style Wars and the fictional R&B radio station Wildstyle in the game Grand Theft Auto: Vice City. Also, the song “Pump Me Up” was sampled in Dimple D’s one hit wonder “Sucker DJ” which went to #1 in Australia.
Keyboard player Robert “Syke Dyke” Reed passed away at aged 50 on April 13, 2008 from pancreatic cancer.
Undeterred, Trouble Funk kept on grooving around the city, playing often, even into the ‘90s and 2000’s, for nostalgic party goers as well as the musically curious. Today, Trouble Funk continues to remain a figure on the Washington D.C. area live music scene and you can catch them doing their known tunes as well as some new.
Loud Boyz are Washington, DC’s finest punk rock party animals. According to New Noise Magazine “the band is tight as hell, but still harness danger, unpredictability and well, yeah, Loud Boyz make a lot of noise.” A staple of the mid-Atlantic region, they’ve played as direct support for bands like The Buzzcocks, Dag Nasty, Marky Ramone, and Darkest Hour at venues including D.C.’s 9:30 Club and Black Cat, NJ’s The Stone Pony, and NYC’s Gramercy Theatre. Band members Brandon Brown, Alex Anderson, Devin O’Donoghue, Rory Sheridan, and Mitchell West play aggressive hardcore punk rock and aren’t afraid to crack a smile while doing it.
The band’s first EP was released on D.C. imprint Cricket Cemetery in January 2015, followed by a full length LP, Tough Love, Hard Feelings, in July 2015. Their new EP, Party in the USA, was self-released n May 5, 2017.
Sci Fi, post-apocalyptic, doom, crust
Sherman is completely shredding the vocals, undoubtedly turning in his best performance to date as he is more than ably backed by the rip and tear of the triple guitar attack courtesy of Gary Isom on slide & lead guitar, teamed up with Rob Portillo’s harmonies and Jason Fisher’s riffing and rolling. Match that with the full on rhythmic assault of Darren Waters on bass and the single moniker’d Cougin on drums and this band is ready to pummel the unsuspecting ear drums of those about to burn!
With the ink just dry on their contract with Ripple Music, it is being announced that Weed Is Weed has also signed on with 313 INC Artist Management to help further their reach and plan their underground takeover.
Watch for some pre-release touring to be announced soon.
There is no doubt that the riffs are gonna be huge, the vocals are gonna be gritty and the low end will rumble. Weed Is Weed is taking over… and it’s going to be a smokey green revolution.